Criticism in Aesthetic semiotics
The artist refers to a repressed original condition, to a support of the existing continuum, to the configuration of a frank and transitional space, to the immemorial art of a reunion. It is an ethical journey of knowledge and recognition, along a dialectical path from shadow to light, to recreate a synthetic depth, which does not break the cohesion of meaning between things.
The artist thus starts again from the Shakespearean stuff of dreams, or rather from the collective unconscious substratum that unites beyond all differences and cultures, which mends the distinctions with the thread of a universal meaning.
Before any cognitive expression is the emotional dimension of synchrony, of harmony, of the symphony of an unconscious plural continuity of being, which precedes the conscious co-belonging of the identity distinction.
The eyes of rebirth for the artist are the eyes of a woman, invited by the artist to listen and respect the value of her psychophysical unity. The centrality for the artist is not identity but difference, in this Copernican revolution of the point of view the artist validates the relational dimension of the very substance of being, opening up to an ethical becoming truth.
-Prof. Fulvia Minetti
semiologist, art critic and psychotherapist